Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Written by established literature experts, York Notes Advanced intorduce students to more sophisticated analysis, a range of critical perspectives and wider contexts. This market-leading series has been completely updated to meet the needs of today's A-level and undergraduate students. York Notes Advanced offer a fresh and accessible approach to English Literature. Analysis of language and style, and overviews of a range of critical responses and productions of the play will enable you to develop your own critical ideas and to write confidently about the text. Detailed summaries of each Act are included, as well as extended commentaries on key passages and explorations of the central characters. York Notes Advanced: The Importance of Being Earnest provides the widest coverage and most in-depth analysis of Wilde's witty play of mistaken identities and is indispensable to any A Level or undergraduate student of the text. Everything you need to know about The Importance of Being Earnest to succeed in your A Level or undergraduate studies.
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Jeffrey has grandiose plans to make "Freedom" available throughout the world in order to bring about peace and harmony. It is there that he invents "Freedom," a drug that frees people from depression, anger, stress, and aggression. The basement of the motel has been converted into a secret laboratory where Jeffrey conducts his clandestine experiments. The motel owner, Jeffrey, is a scientist recently fired by a prestigious California drug manufacturer. The next morning each leaves "feeling good," but unaware they have become addicted to a gaseous drug piped into their rooms. Six wayward travelers stop for the night at a remote California desert motel. "He remembered the little motel in the desert when his life turned around." When their cover is blown Jake has to think fast in order to keep Emily safe and he decides to hide her in his hometown. Thrust into the Witness Protection Program and the very capable hands of FBI Special Agent Jake Ward might not be so bad, if only she could get him to lighten up a bit! Unfortunately, witnessing a mob hit has really stuck a wrench in those plans. It really does have it all!Įmily Foster just wanted to get laid on her birthday. Let me start off by saying I loved this book! I loved it so much I read it twice and loved it even more the second time! This amazing debut by Alison Bliss is funny, sexy, suspenseful and heartfelt. Their mutual, sizzling sexual attraction poses a dilemma: Jake’s determined to keep her safe and out of the wrong hands she’s determined to get into the right ones-his. Jake’s as hot as he is infuriating, and she can’t help but push all his buttons to loosen him up. The city-girl might be safe from the Mafia, but she has to contend with a psychotic rooster, a narcoleptic dog, crazy cowboys, and the danger of losing her heart to the one man she can’t have. When the location of their safe house is compromised, Jake stashes Emily deep in the Texas backwoods. To protect her, she’s entered into the Witness Protection Program with by-the-book Special Agent Jake Ward as her chaperone. Unfortunately, she stumbles on the wrong kind, witnessing a mob hit. It’s rule breaker Emily Foster’s birthday, and like everyone at The Jungle Room, she just wants to get some action. Moreover, they illustrate the attendant third element/space/moment of resolution or completeness through creativity, the dosu/dosa, which is also integral to the marasa concept. Ulysse, and "The Finger" by Gary Victor (in my own invocation of marasa twa) embody the marasa concept in the way that they explore its continued relevance in the Caribbean reality of contemporary large diasporas and international interventions, which is especially true of Haiti, that produce here/there, us/them, home/abroad dichotomies. Thus, the short stories "Which One?" by Evelyne Trouillot, "The Last Department" by Katia D. Even though the narratives are firmly focused on the New World experience, I contend that the marasa's origins guide and shape the stories and are explicitly manifest in at least one of them. Clark's discussion of the marasa concept as a mythical theory of textual relationships based on the Haitian Divine Twins by connecting the concept to its African origins, itself a marasa, and exploring it in relation to three short stories from Haiti Noir (2011), an anthology of noir literature edited by Edwidge Danticat. Abstract : This article expands on literary critic Veve A. |